QUEER BODIES AT

HOMES SENSE CENSURA –UNCENSORED MEN

SITGES BARCELONA JUNE 13 2018

A short performance referencing the gay male body at the opening of an exhibition curated by Gay Sitges Link

IDAHOT 2018

Performed at the International Day Against Homophobia in Sitges  on May 17 2018

 

 

THEATRE NORTH AT THE BASEMENT BRIGHTON

MOMMY QUEEREST

THE LAST SUPPER CLUB 5/10/13

We all go a little mad sometimes, haven’t you?”
This new three minute piece, based on Alfred Hitchcock’s PSYCHO was performed 20 times for three people at a time  at Supper Club.  A toilet. Darkness. A torch reveals a shower.  The shower curtains part to reveal a naked man in a female wig and full make up.  And a knife……

March 2014   CODE OF CONDUCT
We are making a major new piece of work about gay identity, which is to be premiered later in the year and are very fortunate to have been given a Residency at The Basement under the East by South East Programme providing resources and mentoring support. We are also looking forward to spending a week in residence at The Point in Eastleigh during April. A segment from this new work will be performed on Thursday April 18th at The Basement as a work in progress.
We are delighted to be receiving mentoring support with this  project from the very experienced live artist Adrian Howells.
SICK! INTERNATIONAL ARTS FESTIVAL

We presented ELECTRIC BLUES,  a short piece of work to chime in with SICK! in The Pit  during Supper Club, hosted by Bobby Baker, at The Basement on the evening of Saturday March 2nd.
www.thebasement.uk.com

E2

A political prisoner – naked and alone – is awaiting execution.  Witnesses are ushered in to hear his final enforced confession.  But this prisoner is a king – and his offence is love for another man.
A new site-responsive production for innovative flexible venues.
based on Christopher Marlowe’s Edward II
Performed by Martin Lewton – Directed by Andrew McKinnon.
“I have a body able to endure more than you can inflict, and therefore now I know you will assail my mind.”
E2 received its first performance, as a work in progress, as part of the In The Flesh programme at the Barbican Theatre Plymouth in December 2011